I was hit by a bombardment of adverts for Ghost
Stories in the newspaper today - or rather, Ghost
Storeis, each one of them littered with deliberate typos (such as
Arpil and cimenas) and accompanied by the tagline "the brain sees what it
wants to see". Whilst I think it's smart, people on Twitter seem to be
kicking up a fuss, saying "do you double check stuff before you post?",
"someone made a very expensive mistake", and "#someonesgettingfired"...but duh they
are completely missing the point! That is the whole point, and
once you watch Ghost Stories everything will become clear.
Mostly.
The title alone is enough to
make a horror wimp like myself run a mile. However, various events somehow led
to me sitting in a cinema about to watch various events unfold to
Professor/C-list local TV personality/paranormal debunker Phillip Goodman (actor,
co-writer and co-director Andy Nyman). I'm pretty glad too, because this is a
smart scare-fest. Don't be put off by the words "ghost stories",
because what you actually get are three seemingly unrelated stories that are as
intriguing as they are terrifying: a night watchman on shift, a teenager whose
car breaks down at night in the middle of the woods (aaaah), and a businessman
about to have a child. Yes, it is still a horror film (I can still vividly
recall every jump and attempt to hide behind my hands) but it's not horror for
the sake of a cheap scare. It is old-school with a twist; self-mocking and
self-aware at times, but not what horror fans might be used to seeing.
The three supernatural stories
run separately, individual chapters originally introduced by an old and famous
fellow debunker who lives in an eerie mobile home and has set Goodman the
challenge to investigate as he is now convinced they are unsolvable. Apparently
this differs from the material source, a 2010 play written by Nyman and Jeremy
Dyson, but it has an interesting pay-off. The play must have been damn scary
with scenes up close; in the film, the night watchman scene involves Dyson
himself in the dark with your typical flickering lights, shadowy figures with a
few old mannequins thrown in for good measure. Then there's driving in the dead
of night in the middle of nowhere with strange things lurking outside - this is
probably one of the most memorable chapters thanks to one-to-watch Alex Lawther
as terrified teenager Simon, and some unexpected humour. Finally, the third
chapter leads to the third act featuring Martin Freeman who is good as an
arrogant but pained trader. Contrary to marketing material, he's not the main
character, but he does get to have some fun. The grand homely setting (he's
rather posh) is a stark contrast to the darkness of everything else, which is
somehow even more unsettling.
And of course there's more,
much more, but I'm not going to spoil it. Let's just say things really
escalate, but then again don't all horror films? There's a lot of simmering,
lots of hidden meaning dotted around and I'd say it's even worth a second watch
if you can handle living through the tension again. It actually took me a while
to digest and even comprehend, and I'm certain there's a bunch of detail I
missed whilst in hiding. It is also quite unimaginable that there are barely
any females in the story and this would absolutely fail the Bechdel test with
flying colours. Overall, it's a thrilling and satisfying watch that will leave
you unable to sleep at night - not because of the scares, but because there's a
very human underlying message that will have your mind turning.
Ghost Stories is in UK cinemas
on 6th April.
- Wednesday, April 04, 2018
- 1 Comments